Mostrando postagens com marcador Passover. Mostrar todas as postagens
Mostrando postagens com marcador Passover. Mostrar todas as postagens

domingo, 17 de julho de 2016

Jewish, Palestinian activists try to build a cinema in Hebron



July 15, 2016, +972 Magazine http://972mag.com (Israel)

 

By Dahlia Scheindlin*


As soldiers and settlers look on, dozens of foreign Jews join Palestinians in the segregated city of Hebron try ‘to make the unbearable a little more bearable.’ Police detain six Israelis among the group, prevent others from even joining.

Foto: Activists with the Center for Jewish Non-Violence 
clear brush from the yard of the would-be cinema as 
Israeli soldiers and settlers look on, Hebron, July 15, 
2016. (Wisam Hashlamoun/FLASH90)

The streets in the Israel-controlled section of Hebron were sunny and silent at 9 a.m. on Friday. The Palestinian shops on the main streets were all shut, as most of them have been for over 20 years. Jews were home preparing for Shabbat.

On a sloping street rising through the Tel Rumeida neighborhood where, in April, a Palestinian stabber was wounded, then executed, there is a small commotion. A scattered group of Israeli soldiers, blue-uniformed police, and a few local Israeli settlers are hovering around a battered fence, peering inside as if

terça-feira, 8 de maio de 2012

‘WE DIDN’T WANT TO RAISE CHILDREN IN THAT PLACE’

May 6nd, 2012, Jews for Justice for Palestinians http://jfjfp.com (USA)

Dear Israel, This Is Why I Left

By Emily L. Hauser*
May 2nd, 2012

I lived in Tel Aviv for 14 years, and having been back in America for almost as long, still miss it every day. At Passover, that longing becomes an almost physical weight in my chest.

The smells of springtime Chicago aren’t right, and neither is the culture. I want to be surrounded by people who know why I’m frantic in the lead-up to the Seder, bus drivers wishing me a hag sameah, and neighbors asking “where are you for the holiday?” I want to be home.

But I’m not home. Instead I’m in the gentle exile of American suburbia—a self-imposed, political exile that I undertook for the sake of my children.

When the second intifada broke out, my Jerusalemite husband and I were temporarily in the US as I worked toward my Masters degree at the University of Chicago. We assured everyone (over and over) that we would be back in Israel by the time our just-born son went to kindergarten—it would be easier, we figured, if he started school in the country where he’d be growing up.

But then the intifada ground on. And Israel responded with increasing violence, and a steadfast refusal to admit any culpability, or need to make good on past promises, or understanding that the Palestinians were reacting as we would, had we been occupied for decades on end.

For a year my husband and I wrestled with our fears, not even sharing them with each other—then one day, when home for a visit with our son, we began to talk, and realized: We didn’t want to raise children in that place. The Jewish State was no longer a place in which we wanted to build a family—“for the time being.”

In the meantime, “the time being” has become our lives. The boy was joined by a girl, birthdays have come and gone, and nothing about Israel in the past decade has convinced us that our Israeli children should leave the galut.

On the contrary: As Israel has become more deeply entrenched in the settlement enterprise, more dedicated to an increasingly violent and dehumanizing occupation, and indeed, increasingly less democratic toward even those with the good fortune to be Jewish, we’ve come to realize that we’re not likely to ever move back.

I don’t know if our children are any physically safer here than there, but I do know this: They’re not being groomed for service in a military now devoted less to the defense of the state, than to the oppression of another people. They’re not caught in an educational system made small and narrow by lack of funds, even as the government pours funds into settlements built illegally on stolen land. They’re not being lied to daily by leaders who mouth platitudes about peace, even as their actions do nothing but undermine the possibility of peace.

They think of Israel as home, too. We speak Hebrew in our house, are active members of our Conservative shul, and visit about once a year.

And when we’re there, between laughter on the beach and overnights on their cousins’ kibbutz, we teach them things they don’t learn about in Hebrew school: We show them road blocks, strewn across the West Bank. We gaze at the Separation Barrier snaking through Palestinian land, and ask how they would feel if soldiers came and threw them out of their home. We march in East Jerusalem.

And if I ever doubted the wisdom of our decision, a video emerged from Israeli television this week to wipe any doubts away: Asked for reactions to the recent traffic accident deaths of a group of Palestinian children, teenager after teenager responded with nauseating levels of animosity: “They’re whores, not people, and they don’t deserve to live,” one young man said. “They can be the future of terrorist attacks.” When the reporter pointed out that the dead were but 4 or 5 years old, the boy responded: “Little kids, so what?”

Lest we be tempted to think that these kids are simply bad apples – in 2010, nearly half of Israeli teens surveyed said they didn’t support equal rights for Israel’s Arab citizens. More than half would deny them the right to be elected to the Knesset.

A society that has become centered on protecting, maintaining and furthering the oppression of another people produces and indeed rewards hate. This is not unique to Israel or Israelis—it’s human.

But I will not raise the two humans who matter most to me in such an atmosphere. I will protect them from what Israel has become, and I will raise them to know the Jewish values of human dignity and the sanctity of life.

And every year at this time, my heart will ache as I say “Next year in Jerusalem.” Because I know that next year, I’ll be right here.

Emily L. Hauser is an American-Israeli writer who has studied and written about the contemporary Middle East since the early 1990s. She blogs about Israel/Palestine and everything from domestic politics to her kids to loud music at Emily L. Hauser In My Head, and can be followed on Twitter.


segunda-feira, 9 de abril de 2012

“POUR OUT YOUR WRATH!”

6 April 2012, Gush Shalom גוש שלום http://zope.gush-shalom.org (Israel)

Uri Avnery אורי אבנרי

I AM writing this on Friday night, the eve of Passover. At this moment, all over the world, millions of Jews are gathered around the family table, observing the Seder, reading aloud from the same book: the Haggadah, which tells the story of the Exodus from Egypt.

The impact of this book on Jewish life is immense. Every Jew takes part in this ceremony from earliest childhood and plays an active part in the ritual. Wherever a Jewish man or woman goes in later life, they will take with them a memory of the warmth and togetherness of the family, the magical atmosphere – and the overt and subliminal message conveyed by the text.

Whoever invented the Seder (“order”) ritual, many centuries ago, was a genius. All human senses are involved: seeing, hearing, smelling, touching, tasting. It includes eating a ritualized meal, drinking four glasses of wine, touching various symbolic objects, playing a game with the children (searching for a hidden piece of Matzo). It ends with singing several religious songs together. The accumulated effect is magical.

More than any other Jewish text, the Haggadah forms the Jewish conscious – or, rather, unconscious - mind today, as in the past, influencing our collective behavior and Israeli national policy.

There are many different ways to view this book.

LITERATURE: As a literary work, the Haggadah is rather inferior. The text is devoid of beauty, full of repetitions, platitudes and banalities.

This may cause wonderment. The Hebrew Bible – the Bible in Hebrew – is a work of unique beauty. In many places, its beauty is intoxicating. The peaks of Western culture – Homer, Shakespeare, Goethe, Tolstoy – are not its equal. Even the later Jewish religious texts – Mishnah, Talmud and so forth – while not so uplifting, contain passages of literary merit. The Haggadah has none. It is a text devised purely for indoctrination.
HISTORY: It’s not. Though it claims to tell history, the Haggadah has nothing to do with real history.

There can no longer be the slightest doubt that the Exodus never happened. Neither the Exodus, nor the wandering in the desert, nor the conquest of Canaan.

The Egyptians were obsessive chroniclers. Many tens of thousands of tablets have already been deciphered. It would have been impossible for an event like the exodus to pass without being reported at length. Not if 600,000 people left, as the Bible tells it, or 60,000, or even 6000. Especially if during the flight a whole Egyptian army contingent, including war chariots, was drowned.

The same goes for the Conquest. Because of acute security concerns, after being invaded once from there, the Egyptians employed a host of spies, - travelers, merchants and others - to follow closely the events in neighboring Canaan, in every single one of its towns and at all times. An invasion of Canaan, even a minor one, would have been reported. Except for the periodic incursions of Bedouin tribes, nothing was recorded.

Moreover, the Egyptian towns mentioned in the Bible did not exist at the time the event is supposed to have happened. They did exist, however, when the Bible was written, in the first or second century BC.

There is no need to point out that after a hundred years of frantic archaeological searching by devout Christians and Zionist zealots, not a shred of concrete evidence for the conquest of Canaan has been found (nor that the Kingdoms of Saul, David or Salomon ever existed).

But is this really important? Not a bit of it!

The Passover story does not derive its immense power from any claim to be history. It is a myth that grips the human imagination, a myth that is the basis of a great religion, a myth that directs the behavior of people to this very day. Without the Exodus story, there would probably be no State of Israel today – and certainly not in Palestine.

THE GLORY: One can read the Exodus story as a shining example of all that is good and inspiring in the annals of humanity.

Here is the story of a small and powerless people that rises up against a brutal tyranny, throws off its chains and gains a new homeland, creating a revolutionary new moral code on the way.

Seen in this way, the Exodus is a victory of the human spirit, an inspiration for all downtrodden peoples. And indeed, it has served this purpose many times in the past. The Pilgrim Fathers, the founders of the American nation, were inspired by it, and so were many rebels throughout history.

THE OTHER SIDE: When one reads the Biblical text attentively , without religious blinkers, some aspects gives us food for other thoughts.

Let’s take the Ten Plagues. Why were the entire Egyptian people punished for the misdeeds of one tyrant, Pharaoh? Why did God, like a divine Security Council, levy on them cruel sanctions, polluting their water with blood, destroying their livelihood with hail and locusts? And, even more gruesome, how could a merciful God send his angels to murder every single Egyptian firstborn child?

On leaving Egypt, the Israelites were encouraged to steal their neighbors’ property. It is rather curious that the Biblical story-teller, who was certainly deeply religious, did not omit this detail. And this just a few weeks before the Ten Commandments were handed down to the Israelites by God personally, including “Thou Shalt Not Steal”.

No one seems ever to have given much thought to the ethical side of the conquest of Canaan. God promised the Children of Israel a land which was the home of other peoples. He told them to kill these peoples, expressly commanding them to commit genocide. For some reason, He singled out the people of Amalek, ordering the Israelites to eradicate them altogether. Later, the glorious King Saul was dethroned by His prophet because he showed mercy and did not murder his Amalekite prisoners-of-war, men, women and children.

Of course, these texts were written by people living in times long past, when the ethics of individuals and nations were different, as were the rules of war. But the Haggadah is recited - today as before - uncritically, without any reflection on these horrible aspects. Especially in religious schools in Israel today , the commandment to commit genocide against the non-Jewish population of Palestine is taken by many teachers and pupils quite literally.

INDOCTRINATION: This is the real point of these reflections.

There are two sentences in the Haggadah that always had – and still have – a profound impact on the present.

One is the central idea on which almost all Jews base their historical outlook: “In every generation they rise against us to destroy us”.

This does not apply to a specific time or to a specific place. It is regarded as an eternal truth that applies to all places, all times. ”They” is the entire outside world, all non-Jews everywhere. Children hear this on Seder evening on their father’s knee, long before they are able to read and write, and from then on they hear or recite it every year for decades. It expresses the total conscious or unconscious conviction of almost all Jews, whether in Los Angeles, California, or in Lod, Israel. It certainly directs the policy of the State of Israel.

The second sentence, which complements the first, is a cry to God: “Pour out your wrath upon the nations that do not know you…for they have devoured Jacob and desolated his home…Pour out your wrath on them! May your blazing anger overtake them! Pursue them from under the heavens of the Lord!…”

The word “nations” in this text has a double meaning. The Hebrew word is “goyim”, an ancient Hebrew term for “peoples”. Even the ancient Children of Israel were called a “Holy Goy”. But over the centuries, the word has taken on another meaning, and is understood to refer to all non-Jews, in a very derogatory way. (As in the Yiddish song “Oy, Oy, Oy, / Drunk is the Goy.”)

To understand this text properly, one has to remember that it was written as a cry from the heart of a defenseless, persecuted people who had no means to take revenge on their torturers. To raise their spirits on the joyful Seder evening, they had to put their trust in God, crying out to Him that he should take revenge in their stead.

(During the Seder ritual, the door is always left open. Officially, that is to allow the Prophet Elias to enter, if he should miraculously rise from the dead. In reality it was to allow the Goyim to look in, so as to disprove the anti-Semitic libel that Jews baked their unleavened Pesach bread with the blood of kidnapped Christian children.)

THE LESSON: In the Diaspora, this craving for revenge was both understandable and ineffective. But the founding of the State of Israel has changed the situation completely. In Israel, Jews are far from being defenseless. We don’t have to rely on God to take revenge for the evils done unto us, past or present, real or imagined. We can pour out our wrath ourselves, on our neighbors, the Palestinians and other Arabs, on our minorities, on our victims.

That is the real danger of the Haggadah, as I see it. It was written by and for helpless Jews living in perpetual danger. It raised their spirits once a year, when they felt safe for a moment, protected by their God, surrounded by their families.

Taken out of this context and applied to a new, completely different situation, it can set us on an evil course. Telling ourselves that everybody is out to destroy us, yesterday and most certainly tomorrow, we consider the grandiloquent bombast of an Iranian bigmouth as a living proof of the validity of the old maxim. They are out to kill us, so we must – according to another ancient Jewish injunction – kill them first.

So, on this Seder evening, let our feelings be guided by the noble, inspiring part of the Haggadah , the part about the slaves who rose up against tyranny and took their fate in their own hands – and not the part about pouring out our wrath.