MYSH: ISRAELI VISUAL ARTIST’S MEDITATION ON JEWISH SUFFERING, PSYCHIC TRAUMA AND ISRAELI RACISM

May 28th, 2012 Tikun Olam-תיקון עולם http://www.richardsilverstein.com (USA)

A Problem of Self-Image' (Mysh)

I was just looking through my Facebook Newsfeed and discovered the Israeli graphic artist, Mysh. The first work of his I saw was this breathtaking cartoon, A Problem of Self-Image, which speaks so profoundly to elements of the Israeli psyche and explains how historical trauma has led to political dysfunction. In fact, this to me has the classic feeling of R. Crumb‘s comic about nuclear war in which a survivor of a nuclear attack walks through a nuclear winter landscape with a TV in one hand and a plug in the other looking for an outlet. These brilliant images bring with them a shock of recognition, almost a shiver of the soul as you both see the image and absorb its meaning.

A few translations and explanations are in order for the graphic. First, the child in the mirror is based on the famous Holocaust era photo of the young Jewish boy raising his hands in surrender. Looking into the mirror is the Israeli strong-man/bully who’s just smashed in the faces of a few African refugees in Tel Aviv. The fat man’s body is covered with tattoos of a sort which say:

Death to Sudanese
Whatever doesn’t work using force will work using violence.
The only good Arab is a dead Arab.
Run over the Orthodox.
Russians back to Russia, Ethiopians back to Ethiopia.

Title: Shavuot night/ Kristallnacht Tel Aviv 2012 caption: 'It's great you've come to make a minyan, Mireleh.'

Though I’m tempted to offer my own commentary on the image, I’m also leery of over-analyzing it since its eloquence speaks for itself. Suffice to say, that Mysh tells us that the average Israeli racist, the types that smashed windows and beat up refugees in Tel Aviv, lives with a psyche not just wounded by the Holocaust, but poisoned by it. He is a prisoner of his past and fated to inflict his suffering on anyone who is less strong than he is. We all know who those victims have been and will be.

The second cartoon features two Israeli politicians who recently made rabidly racist smears of African immigrants: Kahanist MK Michael Ben Ari and Likud MK, Miri Regev. Both addressed and incited the crowds of pogromists who later rampaged through the African neighborhood in south Tel Aviv. Regev in particular said that the refugees were a “cancer” in Israel’s body. The background of the cartoon is that the night of the Tel Aviv pogrom was also the first night of Shavuot, usually a night of meditative study of Jewish sacred texts.

In the cartoon, a white-hooded Yishai welcomes Regev to a Ku Klux Klan like night-time party. One of the words of tikun leyl Shavuot is crossed out, which turns the phrase into the Night of Glass [Kristallnacht]. As Regev reaches out to take the noose Yishai offers, he smiles and says to her: “Thanks for making a minyan, Mireleh.”

In Jewish religious practice, “making” a minyan allows the prayer service to commence. But here the minyan allows the pogroms to begin. The satiric reference to the minyan also alludes to the Orthodox religious beliefs espoused by Yishai and many of the extreme Israeli right which are used to fortify their racist attitudes.

Where has this wonderful artistic voice come from? Mysh or Michael Rozanov, was born in Riga, Latvia in 1977 and emigrated to Israel as a teenager. He became a visual artist and his oeuvre includes graphic illustration and film and animation work both for TV and cinema. He studied at Israel’s leading art school, Bezalel, and now teaches there.

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Tel Aviv 2012 – Berlin 1938 (richardsilverstein.com)

Students cheer Nazis at Holocaust Remembrance Day play

April 23, 2012, The Times of Israel http://www.timesofisrael.com (Israel)

News of youngsters’ behavior at Cameri performance of ‘Ghetto’ prompts debate about educational failures

By Aaron Kalman

The Cameri Theater (Photo credit: Moshe Shai/Flash90)

“You embarrassed the Jewish people and the Holocaust,” actor Oded Leopold said from the stage of the Cameri Theater last Thursday, lashing out at hundreds of high school students after they repeatedly disrupted a play dealing with the Holocaust on Holocaust Remembrance Day.

The students’ behavior, news of which only hit the Israeli media on Monday, prompted an intensive bout of national radio debate and soul-searching about indiscipline, educational failures, poor parenting and lost values among Israeli youth.

During the play “Ghetto,” which portrays the life of Jews in the Vilna Ghetto in the early 1940s at Tel Aviv’s Cameri Theatre, students in the audience made fun of the actors and shouted offensive remarks toward the stage. Some laughed and cried out encouragement during scenes depicting Jews being killed by Nazis, and when a kapo beat a Jew. Calls of “hit him harder” and “well done” were heard from the audience.

When the two-hour play ended, Leopold, who played the kapo, silenced the post-performance applause and addressed the audience. “I hope what goes on in your heart is different from what came out of your mouths,” Leopold said. “It was disgraceful behavior, embarrassing yourselves most of all. You also embarrassed the Jewish people and the Holocaust,” he said.

Education Minister Gideon Sa’ar on Monday condemned the students’ behavior, calling it “a disgrace that pains the heart.”

Students from four different high schools were in attendance — two from Rishon Lezion, one from Tel Aviv and one from Ramle.

Most of the actors cried when the play was over, Leopold told Maariv. “We cried because we were frustrated and offended.” When acting out scenes from the ghetto, you are “very vulnerable,” he said.

Avi Kalma, director of the Cameri’s educational department, told Maariv that it was normal for students to disrupt plays from time to time, but what happened on Thursday was different. “You would think it was a comedy” based on the students’ reactions, he said, noting that thousands of students saw the play that week and only this group acted in such a manner.

Some of the actors, including Natan Datner and Rami Baruch, said the educational staff “didn’t lift a finger” to try to stop the catcalls. You expect students to know who’s good and who’s bad, “but they didn’t,” said Baruch.

But Rinat Meron, a teacher from Rishon Lezion, wrote a letter condemning Leopold’s castigation. The actor’s reaction was extreme, she wrote to the theater’s management. “Reactions from students are not in any way a disgrace to the Jewish people.”

Other educators from the schools involved did not defend the students’ behavior.

“Four of my students were removed by the teachers from the play,” Hili Tropper, principal of Branko Weiss High School in Ramle, told Army Radio. One of the teachers is the daughter of survivors, he said. “There was a very harsh talk with everyone immediately following the event,” Tropper added, adding that there was still work to be done in addressing the episode.

The play “Ghetto,” written by Joshua Sobol, has been performed across the globe, including New York and London, winning many awards. It premiered in Hebrew in 1984 and in English in 1989.

WEIMAR REVISITED

19 november 2011, Gush Shalom גוש שלום http://zope.gush-shalom.org (Israel)

Uri Avnery אורי אבנרי

“YOU AND your Weimar!” a friend of mine once exclaimed in exasperation, ”just because you experienced the collapse of the Weimar Republic as a child, you see Weimar behind every corner.”

The accusation was not unjustified. In 1960, during the Eichmann trial, I wrote a book about the fall of the German Republic. Its last chapter was called: “It can happen here” Since then I have come back to this warning time and again.

But now I am not alone anymore. During the last few weeks, the word Weimar has popped up in the articles of many commentators.

It should be sprayed in huge letters on the walls.

ISRAELI DEMOCRACY is under siege. No one can ignore this anymore. It is the main topic in the Knesset, which is leading the attack, and the media, who are among the victims.

This does not happen in the occupied territories. There, democracy never existed. Occupation is the very opposite of democracy: a denial of all human rights, the right to life, liberty, movement, fair trial and free expression, not to mention national rights.

No, I mean Israel proper, the Israel inside the Green Line, The Only Democracy In The Middle East.

The attackers are members of Binyamin Netanyahu’s government coalition, which includes semi-fascist and openly fascist elements. Netanyahu himself tries to remain discreetly in the background, but there can be no doubt that every single detail has been orchestrated by him.

In the first two years of this coalition, attacks were sporadic. But now they are determined, systematic and coordinated.

At this moment, the anti-democratic forces are attacking on a wide front, The three main pillars of democracy – the courts, the media and the human rights organizations – are under simultaneous, deadly assault. (Remember Weimar?)

THE SUPREME COURT is the bastion of democracy. Israel has no constitution, the Knesset majority is totally unbridled, only the court can (if reluctantly) check the adoption of anti-democratic laws.

I am not a blind admirer of the court. In the occupied territories, it is an arm of the occupation, devoted to “national security”, approving of some of the worst incidents. Only in rare cases has it come out against the worst practices. But in Israel proper, it is a stout defender of civil rights.

The extreme rightists in the Knesset are resolved to put an end to this. Their front man is the Minister of Justice, who was appointed by Avigdor Lieberman. He is pushing a series of scandalous ad hominem bills. One of them is designed to change the composition of the public committee that appoints the judges, with the undisguised intention of bringing about the appointment of a particular right-wing judge to the Supreme Court.

Another bill has the undisguised purpose of changing the existing court rules in order to put a certain “conservative” judge in the chair of Chief Justice. The declared purpose is to abolish the rule of an independent court which dares, though only in rare cases, to block “anti-constitutional” laws enacted by the Knesset majority. They want the court to “represent the will of the people”. (Remember Weimar?)

Until now, since the first day of the state, the justices have been, in practice, chosen by cooptation. This has functioned perfectly for 63 years. Israel’s Supreme Court is the envy of many countries. Now this system is in mortal danger.

Another bill, which would have compelled candidates for the Supreme Court to undergo grilling by a Knesset Committee chaired by another Lieberman appointee, and obtain their approval, was withheld at the last moment by Netanyahu himself, He had already given his approval, but shrank back after the almost universal condemnation – and is now posing as the defender of democracy from his own underlings.

The chairman of the Judicial Committee of the Knesset, another Lieberman appointee, is rushing these laws through his committee, contrary to established procedures. In a stormy session this week, a female member called him “a coarse thug”. He replied: “You are not even a beast”.

A minimal purpose of these bills is to terrorize any judges considering vetoing the other anti-democratic bills that are being enacted. Some say that the effects are already being felt.

In several famous cases, the government openly flouts the Supreme Court’s orders, especially concerning the evacuation of “settlements outposts” built on lands belonging to Palestinian farmers.

Who will defend the court? The former Chief Justice, Aharon Barak, who was hated by the rightists because of his pioneering “judicial activism”, once told me: “The Court has no army divisions. Its power rests solely on the support of the public.”

THE ASSAULT on the media started some time ago when the American casino baron, Sheldon Adelson, a close friend of Netanyahu, started a daily tabloid paper with the express purpose of helping Netanyahu. It is being distributed for free and now has the biggest circulation in the country, threatening the existence of all the others (but also bribing them by giving them huge printing orders.) Money is no object. Huge sums are being spent.

That was only the beginning.

In 1965 the Labor party government enacted a new libel law (called literally “the Law of the Evil Tongue”) which was then clearly designed to muzzle “Haolam Hazeh”, the mass-circulation news magazine I was editing, which had introduced investigative reporting to Israel. I appealed to the public to send me to the Knesset in protest, and 1.5% of the voters were incensed enough to do so.

Now the right-wing gang in the Knesset wants to sharpen this anti-media law even more. The new amendment grants up to $135,000 damages to anyone claiming to be hurt by the media, without their having to prove any damage at all. For newspapers and TV channels, which are already in a precarious financial position, this means that they better give up all investigative reporting and any criticism of influential politicians and tycoons.

The new winds are already being felt. Journalists and TV editors are cowed. This week, a program on Channel 10, considered the most liberal, gave five minutes to a song glorifying the late “Rabbi” Meir Kahane, who was branded by the Supreme Court as a fascist, and whose organization was outlawed for advocating what the court called “Nuremberg laws”. An avowed member of this organization, which is alive and kicking under another name, is now a vocal member of the Knesset. (Remember Weimar?)

A major purge of TV journalists is already underway. One by one, directors of all TV channels are being replaced by confirmed rightists. It was openly admitted that the government would force the closure of Channel 10 by calling in outstanding debts if a certain journalist were not fired. Though generally an establishment type, this reporter had irked Netanyahu by exposing his and his wife’s luxurious traveling style at government expense.

AT THE same time, human rights and peace NGOs are under heavy attack. The Knesset gang is producing bill after bill to silence them.

One bill already under way forbids human rights associations to receive donations from foreign governments and “state-like organizations”, such as the UN and the EU. Right-wing organization receive, of course, huge sums of money from Jewish American billionaires, who fund the settlements (which are also indirectly financed by the US treasury, which gives tax-exempt status to the so-called “charitable organizations” that fund the settlements.)

The law which levies huge indemnities on organizations and individuals who advocate a boycott on the products of the settlements is already in force. The hearing of an application submitted by Gush Shalom to the Supreme Court against this suppression of political protest has been postponed by the court again and again and again.

This parliamentary terrorism is accompanied by the accelerating violence of fascist gangs from the settlements. These SA-like gangs call their actions “Price Tag”. Usually, they react to the isolated cases of the army demolishing a few “illegal” buildings in a settlement by attacking a neighboring Palestinian village, setting fire to a mosque or carrying out what can only be described as a pogrom. (Remember Weimar?)

MARTIN NIEMÖLLER, a German U-boat captain and later pacifist pastor, who was thrown into a concentration camp by the Nazis, coined the famous lament: “When the Nazis came to take the Communists, I was silent. After all, I was no Communist. When they took the Jews, I was silent. I am no Jew. When they arrested the Social Democrats, I was silent. I was no Social Democrat. When they came to take me, there was no one left to protest.”

What we are witnessing now are not isolated attacks on one or another human right – what we are seeing is a general attack on democracy as such. Perhaps only people who have experienced life under a fascist dictatorship can fully realize what that means.

Of course, the similarity between the collapse of the German republic and the processes in today’s Israel does not mean that the same events must follow. Nazism was unique in many ways. The end of real democracy may be followed by different systems. There are many models to choose from: Ceausescu, Franco, Putin.

Certainly, there is no similarity between the small German town called Weimar and Tel Aviv. Except perhaps the fact that many houses in Tel Aviv were designed according to the Bauhaus architectural school - which originated in Weimar.

Weimar was once a cultural center, where geniuses like Goethe and Schiller produced their masterpieces. The German republic which was founded in 1919, after World War I, was called by this name after the national assembly which framed its very progressive constitution there.

On these lines, the endangered democratic State of Israel, whose Declaration of Independence was signed in 1948 in Tel Aviv, could rightly be called the Tel Aviv Republic.

We are not yet in 1932. The Storm Troopers are not yet roaming our streets. We still have time to mobilize the public against the looming danger. This week's demonstration that will take place in Tel Aviv against the de-democratization of Israel may mark a turning point.

Arrested American using Internet limelight to speak out on Palestinian rights

17 June 2011, Haaretz הארץ (Israel)



19-year-old Lucas Koerner was arrested while demonstrating solidarity with Palestinians on Jerusalem Day.

By David Sheen

Since a video of his arrest at a Jerusalem Day parade garnered over a quarter of a million hits on YouTube in under a week, 19-year-old American Lucas Koerner has become an unwilling Internet darling. The Tufts University sophomore says he wishes it would all go away, but is still using his 15 minutes to draw attention to the plight of protesters and Palestinians.

"I never wanted this, I don't really want this, I kind of resent all this sudden surge of public attention," he says.

Koerner's arrest during a left wing Jerusalem Day demonstration was captured by an amateur videographer. In the four-and-a-half-minute clip Koerner is seen holding his American passport and discussing his views, while wearing both a Jewish skullcap and a Palestinian kafiyeh. Koerner, who is not religiously observant, says he doesn't see any dissonance in the juxtaposition of the two.

"My understanding of the Jewish ethical tradition comes primarily from my knowledge of the Jewish historical experience," he says. "I feel they are the principal determining factors: our ethical tradition, our struggles for justice, going back to the 19th-century shtetl, where my great-grandmother was hunted by the Cossacks, in pogroms."

"Every Jewish person has that memory at some point in their family. And he or she, in remaining faithful to that memory, must struggle against all forms of oppression and inequality," he adds. "That has informed my worldview, more than anything else."
Koerner, 19, says that he went to his first anti-war demonstration in Washington, D.C. on his 15th birthday, but says he remembers being against the U.S. invasion of Afghanistan after 9/11, when he was in fourth grade.

Though disappointed that his time here was cut short by his arrest, his experiences haven't soured his belief in universal justice.

"Fundamentally, justice means solidarity with all human beings, period, and an identification with a necessity to protect them," he says. "And at the same time to fundamentally alter the circumstances which perpetuate oppression and situations that put them in harm's way."